MASACCIO
Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.

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MASACCIO The Expulsion of Adam and Eve From the Garden oil painting


The Expulsion of Adam and Eve From the Garden
mk156 1425 Fresco 208x88cm
Painting ID::  40168
MASACCIO
The Expulsion of Adam and Eve From the Garden
mk156 1425 Fresco 208x88cm
   
   
     

MASACCIO Madonna and Child with St Anne Metterza oil painting


Madonna and Child with St Anne Metterza
mk156 c.1424 Tempera on panel 175x103cm
Painting ID::  40170
MASACCIO
Madonna and Child with St Anne Metterza
mk156 c.1424 Tempera on panel 175x103cm
   
   
     

MASACCIO The Tribute Money oil painting


The Tribute Money
mk156 c.1428 Fresco 255x598cm
Painting ID::  40171
MASACCIO
The Tribute Money
mk156 c.1428 Fresco 255x598cm
   
   
     

MASACCIO Holy Trinity oil painting


Holy Trinity
mk156 c.1428 667x317cm
Painting ID::  40173
MASACCIO
Holy Trinity
mk156 c.1428 667x317cm
   
   
     

MASACCIO Holy Ana Metterza oil painting


Holy Ana Metterza
mk166 1424 Tempera on board of wood 175x103cm Uffizi, Florence
Painting ID::  41956
MASACCIO
Holy Ana Metterza
mk166 1424 Tempera on board of wood 175x103cm Uffizi, Florence
   
   
     

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     MASACCIO
     Italian Early Renaissance Painter, 1401-1428 was the first great painter of the Quattrocento period of the Italian Renaissance. His frescoes are the earliest monuments of Humanism, and introduce a plasticity previously unseen in figure painting. The name Masaccio is a humorous version of Tommaso, meaning "big", "fat", "clumsy" or "messy" Tom. The name was created to distinguish him from his principal collaborator, also called Tommaso, who came to be known as Masolino ("little/delicate Tom"). Despite his brief career, he had a profound influence on other artists. He was one of the first to use scientific perspective in his painting, employing techniques such as vanishing point in art for the first time. He also moved away from the Gothic style and elaborate ornamentation of artists like Gentile da Fabriano to a more natural mode that employed perspective for greater realism. Masaccio was born to Giovanni di Mone Cassa??i and Jacopa di Martinozzo in Castel San Giovanni di Altura, now San Giovanni Valdarno (now part of the province of Arezzo, Tuscany). His father was a notary and his mother the daughter of an innkeeper of Barberino di Mugello, a town a few miles south of Florence. His family name, Cassai, comes from the trade of his grandfather Simone and granduncle Lorenzo, who were carpenters - cabinet makers ("casse", hence "cassai"). His father died in 1406, when Tommaso was only five; in that year another brother was born, called Giovanni after the dead father. He also was to become a painter, with the nickname of "Scheggia" meaning "splinter". The mother was remarried to an elderly apothecary, Tedesco, who guaranteed Masaccio and his family a comfortable childhood.

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